Charvel Blog

Dhani Harrison Talks New Record & Charvel in ‘Premier Guitar’ Interview

Posted on February 8th, 2018 by Ryan Chadwick

After fronting his band thenewno2, recording and touring with Fistful of Mercy, and workingwith a gamut of legendary performers including Bob Dylan and Wu-Tang Clan, Dhani Harrison continues to forge his musical journey with the release of his In Parallel album this past October. Harrison sat down with Premier Guitar magazine interviewer Paul Kobylensky to talk about his history in music and how his Custom Charvel S-Type helped in the making of the song “Summertime Police.”

Being the son of a Beatle, Harrison was surrounded by music from an early age, but he didn’t always want to be.

“I grew up in the studio,” said Harrison. “I always played music since I was a kid: piano, guitar, drums. And I sang a lot too. So, I got my 10,000 hours early. I’m pretty sure I tried everything possible to not do music. But I knew I was going to come back to it at some point.”

Harrison also goes into thorough detail about all of the gear he used to record his solo effort, including how a Custom Shop Charvel S-Type built by Paul Waller made an appearance on his track “Summertime Police.”

“It’s got to be bold. It’s got to be rude. You know what I mean,” Harrison told Kobylensky. “On the record, there’s Jon Bates playing a custom Charvel that was also built by Paul Waller. And Jon was saying, ‘Wouldn’t it be great to bring back some shredding on this record?’ And it made the cut. And then I was like, ‘Oh, great. Now, I’ve got to get a Charvel or something with a locking nut, because I’m going to be playing all these songs with these huge bends in them.’”

Harrison did pick up a new Charvel S0-Cal in Neon Pink, which he’s posted some photos on Instagram of as he hit the road in support of the album. You can hear Harrison perform “Summertime Police” here, and watch one of his live performances on Jimmy Kimmel here.

Read the full Premier Guitar interview with Harrison by CLICKING HERE.

Steel Panther’s Satchel Unveils His New Signature Charvel Pro-Mod DK Model

Posted on January 22nd, 2018 by Ryan Chadwick

When Steel Panther axe man Satchel met up with Charvel for an exclusive video interview, he covered all things guitar including his early guitar roots, some of his favorite players growing up, and most importantly, how his new Charvel Signature Pro-Mod DK model came to be.

After an unsuccessful attempt at football, Satchel began playing guitar at the age of 10. Over the years, he found inspiration from a myriad of different guitarists and styles including David Gilmore and Buck Dharma. Satchel eventually landed at the Guitar Institute of Technology in Hollywood, where he connected with his glam rock Steel Panther bandmates.

For Satchel, Charvel was always number one. “In the ‘80s, Charvel was it,” said Satchel. “All the cool guitar players were playing Charvel. It’s always been a goal of mine to have a Charvel model at some point and I think I’ve achieved that.”

That box has been checked in 2018 with the introduction of his brand new Satchel Signature Charvel Pro-Mod DK model. The axe is a bright burst of fluorescent yellow finished off with a striking Bengal pattern that is matched only by the rockers personality. With two Fishman® Fluence Classic pickups and a Floyd Rose® 1000 series tremolo, the guitar is built with metal in mind.

“Fishman® pickups are the best pickups on the market as far as I’m concerned,” said Satchel. “They sound heavy metal. You can probably plug it in to your grandmother’s refrigerator and just turn the refrigerator up to 10, and it would sound like a modded Eddie Van Halen on Van Halen 1.”

Want more details about his new sig axe? Watch the full interview by hitting play on the video below.

Gojira’s Joe Duplantier Says His New Signature Charvel was Built to Take a Pounding

Posted on January 18th, 2017 by Chrissy Mauck

Although Joe Duplantier’s new signature Pro-Mod San Dimas Style 2 HH model is just now about to start shipping to dealers, Duplantier has been using his prototype since recording 2016′s Magma, and it’s held up rather admirably throughout a heavy touring cycle in support of the album.

“I’ve been using my signature model on the road and it’s very solid,” said Duplantier. “I’m pounding the guitar every night. I pound the strings and I need a guitar that’s solid and can handle this for touring.”

It also proved to be studio worthy, too.

“When I started working on the new record I wanted to find the perfect tone for what I was doing,” said Duplantier. “I usually use several guitars because in the studio you can’t make any mistakes and you have to pick the right guitar and this guitar was the winner. I called Charvel right away and was like, ‘Aah this is the guitar in the studio too!,’ which is pretty rare for a guitar to be the ultimate weapon on stage and in the studio. This guitar has both.”

Watch below as Duplantier demos some of its key features and explains why he chose them.

‘I Just Beat My Guitar’ – Gojira’s Joe Duplantier to ‘Total Guitar’

Posted on July 19th, 2016 by Chrissy Mauck

In its July issue, Total Guitar features a lengthy article with Gojira frontman Joe Duplantier.

The piece covers the blood, sweat and tears that went into making new album Magma, including building a recording studio, Joe and sticksman brother Mario moving to New York and the loss of their mother.

“It drastically affected the creative process,” Duplantier said of her passing. “I kinda want to say the entire record is all about that … I’m all about that, I mean, I lost my mum. It’s difficult to explain the reasons behind the art sometimes. You recycle every single thing that happens to you. We’re all confronted by death… that’s what people do. They die! It’s interesting how something like that can be that extraordinary and painful, yet totally normal. Life has all these traps and forces you to evolve, so our music is a good image of what we are – anger, frustration, violence … but also peace.”

Duplantier also provides insight into the band’s gear and sonic approach for the album.

“For me, when it’s time to record, I just run around, try to find my guitar (signature Charvel San Dimas), quickly get it all working and wrestle it into submission.

“But the Whammy is an exciting and cool tool. This was the first time we’ve actually used a pedal. Before that, our noises have been hand-made, like the pick scrape, which came from an accident on tour when I made this sound with strings and thought it was cool. So I did it again the next night and wrote it into some of our songs, along with pinched harmonics and weird bends. People always ask what pedal I use, and I always have to say ‘I just beat my guitar and find sounds!’ I was really proud of that. The only effect for us really has been the distortion of the amp. Now it will be impossible for me to play those riffs without the Whammy!”

Instead of stacking guitar tracks on top of each other, Duplantier said the band went for a more minimalistic approach.

“I wanted to record something that allowed people to hear the texture and tone of the guitars more than ever before,” he shared. “Like the pick attack on the strings. So rather than a wall of sound, it would be at most two guitars. During the choruses I added a Telecaster underneath my signature Charvel— I love the sound of them because they’re very bright and make a big difference even when super low in the mix. It brings a different vibe with the single-coils.”

Click here to purchase the July issue (available via print or digital) to read the full article!

All That Remains’ Mike Martin Talks Charvel in New Interview

Posted on February 13th, 2013 by MDuffy

Mike Martin of All That Remains took some time to talk about his career and his relationship with Charvel in this interview.

Watch below and visit the band’s official website for more information.

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