Guitarist magazine recently took a look at a Charvel Custom Shop RTM San Dimas 1 H in Slime Green, with demonstrator Richard Barrett destroying the guitar’s maple fretboard with a series of fiery licks.
Earlier this month, we came across the first of a two-part master class Guthrie Govan filmed for Guitarist magazine that focused solely on string-bending within the framework of the minor pentatonic scale.
Guitarist has since posted the second edition of Govan’s expert lesson, except this time, the Aristocrats guitarist dealt with the diatonic scale.
“The main difference with these scales – as opposed to the pentatonic scales – is that the bends are smaller. They hurt less,” Govan said. “In some cases, it might place a different kind of demand on your ear in terms of trying to sound as in-tune as possible, but it’s all achievable. There will be no bleeding fingertips this month, I solemnly assure you.”
Ever wonder what the best way is to flaunt your skills as a guitarist to an opposing piano player?
The great Guthrie Govan might just have the answer. In a new master class for Guitarist magazine, Govan ran through some of the best techniques for string-bending, which should surely confound those who tickle the ivories around you.
“I think there’s something about string-bending that’s uniquely awesome when you play it through the guitar,” Govan said in the 10-minute clip. “You can use your string-bending prowess to taunt the piano players of the world because try as they might, they can’t do it at all. And it’s a very nuanced, subtle thing.”
While wielding one of his own signature Charvel models with a flame maple top, Govan began with the minor pentatonic scale and finds all the ways one can bend a string within that box before moving on.
Learn more in the in-depth lesson after the jump. (more…)
U.K’.s Guitarist magazine video demo with Guthrie Govan on his Charvel prototype guitar already has more than 17,000 views.
The new prototype has custom pickups in an H/S/H configuration made by Michael Frank-Braun, who designed the pickups on Eric Johnson’s Fender signature Stratocaster.
“I just told him I want a certain kind of honesty in the pickups,” Govan told Guitarist. “I want them to reflect all the different ways you can hit a note, which is the opposite of the flattering pickup. I want the pickup to hear every subtlety, even if it’s a mistake, and also transmit the natural sound of the wood. They’re not ultra-high output.”
Enjoy the clip and stay tuned for the April issue of Guitarist for more details about this prototype.