Andreas Kisser is widely known as the ace shredder for Brazilian metal stalwarts Sepultura, and that band has an album coming out on Oct. 25.
But in the past year, Kisser has been working with another band, the all-star lineup of De La Tierra.
Made up of Álex González (Maná), Flavio Cianciarulo (Los Fabulosos Cadillacs) and Andrés Giménez (D-mente, A.N.I.M.A.L.), De La Tierra has paired with Stanley Soares, a longtime Sepultura collaborator, to produce music that is definitely heavy.
This is no supergroup, however. Kisser notes that the collaboration came together organically with a notion to continue as a group beyond their debut album.
Charvel.com recently caught up with Kisser to get the inside scoop on De La Tierra.
Charvel.com: How did De La Tierra originally come about?
Kisser: It’s amazing. I’m so glad that I received the invitation from these guys. It started with Álex González, who is the drummer from Maná, and Andrés Giménez from Argentina. Álex is a metalhead. Even when he plays with Maná, you see the skulls on his drum set. He wants to show that he has some metal blood. He and Andres were talking about this project for like eight years. It was always, “Come on, let’s do this.” And finally, they said, “Let’s make it happen.” That was last year, and Álex called me about this heavy project. He said we wanted to sing in Spanish, and I said, “F**k, that’s great!” With me here, we could put some Portuguese on there, as well. (more…)
Guitarists Matt Marshall and Xavier Adames of New Jersey-based post-hardcore band Palisades have officially joined the Charvel family.
The sextet teamed up with producer Cameron Mizell at Chango Studios (Sleeping With Sirens, Memphis May Fire, Woe Is Me) to recently release the full-length album Outcasts, on which Andy Leo from Crown The Empire, Chris Roetter from Like Moths To Flames and Tyler Carter of Issues contributed guest vocals.
Palisades currently has a few U.S. tour dates scheduled for this summer before heading to Europe with Silverstein and Dream on Dreamer.
Armed with the strength of their new album “Outcasts”, PALISADES will be unstoppable by this summer.
Charvel is proud to welcome U.K. guitarist Guthrie Govan to the family. A highly-respected and in-demand virtuoso guitarist, Govan travels the world as both a performer and clinician. Govan is currently splitting time between his rock/fusion trio, The Aristocrats, and touring the world with Steven Wilson’s band, promoting Wilson’s Alan Parsons-produced album, The Raven That Refused to Sing (And Other Stories).
Govan made a name for himself in 1993, winning Guitarist Magazine’s “Guitarist of the Year” competition: he subsequently worked as a regular transcriber for U.K. magazine Guitar Techniques. He has since appeared with Asia, GPS, Dizzee Rascal and The Young Punx. His diverse playing style ranges from classic shred to jazz-fusion to blues-rock, all of which are clearly evident on his solo album Erotic Cakes and throughout his numerous other musical projects.
“These guitars sound great, and the necks are just ridiculous,” said Govan. “The good people at Charvel are encouragingly keen to hear all my feedback about their instruments. Whenever I share an idea with them, it feels like they’re really listening – so I’m very excited to be working with these guys and I look forward to seeing what we can do together in the future.”
“Guthrie Govan is one of the best performers playing today, and we’re proud to welcome him to the Charvel ‘family,’” said Michael McGregor, product manager for Charvel Guitars. “He is currently road-testing a few Charvel models, and we are in the research and development phase of some possible future Charvel guitars.”
Visit the Aristocrats’ official website to check out their recently-released album Culture Clash and a list of upcoming tour dates.
U.K’.s Guitarist magazine video demo with Guthrie Govan on his Charvel prototype guitar already has more than 17,000 views.
The new prototype has custom pickups in an H/S/H configuration made by Michael Frank-Braun, who designed the pickups on Eric Johnson’s Fender signature Stratocaster.
“I just told him I want a certain kind of honesty in the pickups,” Govan told Guitarist. “I want them to reflect all the different ways you can hit a note, which is the opposite of the flattering pickup. I want the pickup to hear every subtlety, even if it’s a mistake, and also transmit the natural sound of the wood. They’re not ultra-high output.”
Enjoy the clip and stay tuned for the April issue of Guitarist for more details about this prototype.