During the 2016 NAMM Show in Anaheim, Calif., several metal icons teamed up for the “Randy Rhoads Remembered” concert to honor one of the genre’s most legendary guitarists.
Founded in 2013 by former Whitesnake drummer Brian Tichy and producer Joe Sutton, the event is aimed at recognizing the incredible contributions of the late Ozzy Osbourne guitarist, whose life was tragically cut short at the young age of 25.
Several artists collaborated on Osbourne’s greatest hits, including “Crazy Train,” “Little Dolls” and “Diary of a Madman.” And for those who couldn’t make it, fans have been sharing some of their footage, including the clip below featuring the fine talents of Adrenaline Mob’s Mike Orlando.
Watch below as Orlando switches between his Charvel and an acoustic guitar for “Diary of a Madman.”
Charvel Custom Shop Master Builder Chip Ellis recently relocated to Nashville, and was a bit inspired by the local music scene when it came to working on a pair of custom guitars that were revealed during a Custom Shop event at the NAMM Show in Anaheim, Calif.
Watch below as Ellis gives the scoop on a custom Surfcaster Roasted Pine and Style 2 Roasted Pine.
Guitarist recently posted the “final installment of the bending odyssey” with Charvel signature artist Guthrie Govan.
“I figured it would be fun to end by adding a somewhat unfashionable technique to our bending repertoire,” said Govan. “‘What would happen,’ we must ask ourselves, ‘if we combine all of our string bending chops with a little bit of tapping. This is sometimes considered to be the province solely of the heavy metal shred monster but the way I see it, tapping is just another way to play notes that this hand (fretting hand) can’t reach on its own. So I’ve never been a fan of that whole stigma that gets attached to it. Tapping is just another way to make sounds and you can use it for all sorts of crazy purposes as hopefully we’re about to find out.”
Watch the lesson below to explore some of Govan’s interesting ideas.
Charvel Translation if picture size was too difficult to read …
Greetings! Guthrie here, with a little update about the finish on my signature Charvel model …
During the last year or so, my “#1″ guitar has accumulated both air miles and “battle scars” in equal measure. Whilst there’s something undeniably “rock ‘n’ roll” about a well-worn instrument with a story to tell, a year’s worth of touring has somehow left my poor #1 looking like it’s endured a whole lifetime of neglect and abuse.
Mildly troubled by this, I asked Charvel if they could come up with a finish which would make the GG model more resistant to the rigours of life on the road, without compromising its tone in any way.
Well … I’m happy to report that they’ve found a way to achieve precisely that!
Earlier this month, we came across the first of a two-part master class Guthrie Govan filmed for Guitarist magazine that focused solely on string-bending within the framework of the minor pentatonic scale.
Guitarist has since posted the second edition of Govan’s expert lesson, except this time, the Aristocrats guitarist dealt with the diatonic scale.
“The main difference with these scales – as opposed to the pentatonic scales – is that the bends are smaller. They hurt less,” Govan said. “In some cases, it might place a different kind of demand on your ear in terms of trying to sound as in-tune as possible, but it’s all achievable. There will be no bleeding fingertips this month, I solemnly assure you.”